Tonight, more than 70 theatre companies across Canada are presenting staged readings of the play Homegrown by Catharine Frid. Why? Read J. Kelly Nestruck’s piece about the SummerWorks Festival and how the Department of Cultural Heritage has seriously–and at the last minute–cut funding to the festival. Then read playwright Michael...
It’s been a month since the first Dramatists Guild National Conference. In that month, three things have stayed with me: Mame Hunt’s declaration to playwrights to stop writing realism, Julia Jordan’s keynote speech on gender parity, and Marsha Norman’s comment that we need to hear everyone’s stories at the gender...
or, How Meta-Conversations are Taking Over Our Theatres Photo illustration featuring members of American Theater Company. (William DeShazer/Tribune / July 2, 2011) My friend Briana, a brilliant arts educator and visual artist, alerted me (via a tag on Facebook) to an article about the rising phenomenon of texting in the...
Join us this weekend at City Theatre in Miami for the CityWrights Conference 2011. We’ll be livestreaming several sessions via NewPlayTV. We’ll also be tweeing throughout the conference using both the #2amt and #cwc11 tags over on Twitter. Send questions, comments and conversation our way. Below is a schedule of...
I’m live-blogging the first-ever Dramatists Guild conference. Please feel free to log on and either lurk or join the conversation. If there are opportunities for questions, and you submit any, I’ll try to sneak them in. I may also be tweeting from time to time if you’d rather follow along...
This afternoon, Florida Stage announced that it was filling for chapter 7 bankruptcy and closing its doors forever. Florida Stage was the largest theatre company producing only new work in the United States. They were also the largest theatre company in the South Florida Theatre Region. Unfortunately, they had 1.5...
The Follow Friday posts are back! We look at communities remembering their own stories and pulling together to give to the arts, philanthropy from donors and from theatre companies themselves, playwrights living in towns small and large. We also look at theatre companies working together and, well, working at all....
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do...
I may be using Jim McCarthy’s name as an expletive for the next several days, but those that followed that first conversation that led to me applying and being granted a TED license to organize an independently organized TED event on the future of the arts industry will tell you...
A few weeks ago, I felt like a time-traveling documentarian. My theatre company, Glass Mind Theatre, decided to host a 360 Storytelling event, as developed by 2amt. We went with the theme of “The One” to celebrate our first official season. A few company members – not including myself –...
