diversity

Why the Mikado is a No-No, and Other Painfully Obvious Realities About Race Representation in the Theatre Nearly 4 years ago, as a fresh face on New York’s scene, I attended the inaugural Asian American Performer’s Action Coalition (AAPAC) meeting held at Fordham University. A multicultural caucus of over five...

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  • September 16, 2015
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Let’s see if I have this straight. Women write about bias–unconscious or not–in an industry, they set up a group to support fellow women in said industry, men immediately comment on social media about how this isn’t really a problem, maybe these women are biased, because it damn well isn’t...

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  • March 19, 2015

A production of the musical Monty Python’s Spamalot, slated for the South Williamsport Junior/Senior High School in Pennsylvania in 2015, was canceled by the school’s principal due to “homosexual themes.” In case you haven’t been following the story, you might check out Howard Sherman’s overview at Slate for background, Drew...

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  • September 17, 2014

We’ve Named the Problem. Now what? Unless you’ve been living under a rock the last week (in which case, I hope it’s been warm!), if you’re in the theatermaking world, you are likely aware of the fallout from an event Twitter dubbed #thesummit. For the uninitiated, Brett Steven Abelman posted a...

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  • February 26, 2014
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Peter Marks (Washington Post) hosted a conversation with DC area artistic directors about representation of women and people of color on our stages. Participants: Paul Tetreault, Molly Smith, Eric Schaeffer, @ryanrilette, and Patta Tsikurishvili. (Details: http://goo.gl/d)
…Then ish got real.

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  • February 19, 2014
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If you have sat around a computer for any length of time over the last five years hashing out any of the ‘issues’ around (particularly) American Theatre you have found yourself invariably infuriated, sullen, and withdraw because the topics are circular and, because the answers are hard, evergreen. I swear...

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  • March 19, 2013