the process

Previously in this column: The members of Bright Alchemy Theatre, a very young devised theatre company based in Washington, DC, have spent the last nine months working on its new project which began with the question: Why do we as a species feel the need to tell stories about our...

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  • September 19, 2011
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The non-profit model is living on borrowed time. The current model is dying. Even still, I think we spend more time trying to figure out how to fund a show than actually making the show. Read: The way we make money to make art is not sustainable. Insanity: Doing the...

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  • August 24, 2011
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“In the universe – just like in music, or architecture, or relationships – the absence, the space between, is just as important as the observable, tangible things.” — Dear Galileo by Claire Willett One of the questions I continually run up against when I’m writing a play is this: “Who...

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  • July 22, 2011
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It’s been a month since the first Dramatists Guild National Conference. In that month, three things have stayed with me: Mame Hunt’s declaration to playwrights to stop writing realism, Julia Jordan’s keynote speech on gender parity, and Marsha Norman’s comment that we need to hear everyone’s stories at the gender...

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  • July 12, 2011
  • 5

In case you’ve been in a coma for the last year, there’s this Broadway musical, it’s called Spider-Man: Turn Off the Dark, and it’s made some headlines. There were accidents and script problems and fights with critics and the official opening kept being pushed further back and back and back...

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  • July 7, 2011
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Join us this weekend at City Theatre in Miami for the CityWrights Conference 2011. We’ll be livestreaming several sessions via NewPlayTV. We’ll also be tweeing throughout the conference using both the #2amt and #cwc11 tags over on Twitter. Send questions, comments and conversation our way. Below is a schedule of...

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  • June 23, 2011
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