SOLVING THE PROBLEM AND REPAIRING THE DAMAGE As a Pilates teacher/movement consultant who specializes in how clients move/behave within their own environments, I spend a lot of time out of my studio space needing to be connected to clients via text, email, and social media. I use my phone and...
Terror and Courage, Hope and Art We can’t claim to engage our communities in important conversations if we run away from them One of the plays to generate the most interest at our recent National Showcase of New Plays was Pluto, by the prolific and supremely-talented Steve Yockey. An alum...
As I write this blog post, I have a play in rehearsal that features a few eminently spoil-able plot points. It’s hard to explain without, you know, spoiling anything for people, but we can’t even use certain characters’ names in program or in publicizing the show. It’s been a fun...
I’m currently writing a play called The Secret of the Biological Clock, about a former girl detective who is turning 37 and wants to solve the mystery of what makes a family. I have spent the past two months flipping out about stage directions. Stage directions. The play itself is...
I’ve been thinking more and more about my responsibility as an artist. And just typing that feels a little weird—the idea that artists have responsibilities other than to their art. But our work does more than just sit there in our heads. It wanders out of our skulls and into...
As Adam Feldman pointed out this week on the Time Out New York site: “(Mike) Daisey acknowledged that he had erred in presenting his work—a hard-hitting look at the brutal Chinese labor conditions that underwrite our sleek electronic gizmos—on Ira Glass’s series because ‘the tools of theater are not the...
Over the past week or so I have been near the center of exchanges about theatre and social media that feel alternately like discussions, vent sessions, and policy ponderings. Social media and theatre and the mix of both — discuss. And when you add in questions of the directionality of...
As the founder and now social media manager for Portland’s Fertile Ground Festival, I have recently had the delightful and curious experience of being able to dip my finger daily into the stream of material our 100 plus world premiere projects have created to promote their shows. I asked myself,...
