About six and a half years ago, we started the #2amt hashtag on Twitter. If you’re on this site, you know it’s a conversation about theatre–performance, production, promotional ideas, outreach, what have you. It’s been a wonderful conversation and community–and continuously active on the hashtag–from day one. This week, it’s...
Although I was raised in the Catholic Church, I am not a practicing Catholic. The few times I have been in a house of worship in the past two decades involved either a wedding, a christening, or my mother’s funeral in 1995. Therefore, no one was more surprised than me...
SOLVING THE PROBLEM AND REPAIRING THE DAMAGE As a Pilates teacher/movement consultant who specializes in how clients move/behave within their own environments, I spend a lot of time out of my studio space needing to be connected to clients via text, email, and social media. I use my phone and...
We’ve Named the Problem. Now what? Unless you’ve been living under a rock the last week (in which case, I hope it’s been warm!), if you’re in the theatermaking world, you are likely aware of the fallout from an event Twitter dubbed #thesummit. For the uninitiated, Brett Steven Abelman posted a...
Peter Marks (Washington Post) hosted a conversation with DC area artistic directors about representation of women and people of color on our stages. Participants: Paul Tetreault, Molly Smith, Eric Schaeffer, @ryanrilette, and Patta Tsikurishvili. (Details: http://goo.gl/d)
…Then ish got real.
Smile, Broadway! You’re On Instagram! Facebook is so over. At least, that’s what a college-age co-worker told me this summer while discussing arts marketing. The mega social network may be waning with a younger demographic, but a recent Facebook acquisition is growing exponentially. More than 80 million people are sharing...
One of my favorite things about summer in an arts organization is that you get a couple of precious weeks where, in between the planning and the subscription mailings, there’s a little fallow time where you can sometimes rise above the fray and say, HEY. What are other people doing...
This afternoon, the New York Times ran a story by Patrick Healy about the producers of Three’s Company & their reaction to 3C, a play by David Adjmi. At issue is the question of copyright and intellectual property, fair use vs. parody and/or transformative, derivative work. Healy cites productions such...
