The non-profit model is living on borrowed time. The current model is dying. Even still, I think we spend more time trying to figure out how to fund a show than actually making the show. Read: The way we make money to make art is not sustainable. Insanity: Doing the...
rabble rousing
I’ve been trying to fully digest the recent HowlRound post On Theatricality by Lydia Stryk. With a slew of comments (15 at my last count), it’s generated quite a bit of conversation. From the get go this blog post got stuck in my craw. I’m not the only one. Playwright...
Tonight, more than 70 theatre companies across Canada are presenting staged readings of the play Homegrown by Catharine Frid. Why? Read J. Kelly Nestruck’s piece about the SummerWorks Festival and how the Department of Cultural Heritage has seriously–and at the last minute–cut funding to the festival. Then read playwright Michael...
It’s been a month since the first Dramatists Guild National Conference. In that month, three things have stayed with me: Mame Hunt’s declaration to playwrights to stop writing realism, Julia Jordan’s keynote speech on gender parity, and Marsha Norman’s comment that we need to hear everyone’s stories at the gender...
It’s a great word. “Embargo.” It seems to come from a different age, or a world in which brinksmanship over major issues comes into play. Oil embargo. Trade embargo. But it’s alive, if not exactly well, in the relationship between the media and those that they cover. In the past...
I’ve been thinking lately about why, how, and by whom new plays are commissioned. I’ve been fortunate enough to have earned a few commissions myself, and it won’t surprise anyone to learn that in all of those instances, the commissions have come from theater companies. The companies in question needed...
or, How Meta-Conversations are Taking Over Our Theatres Photo illustration featuring members of American Theater Company. (William DeShazer/Tribune / July 2, 2011) My friend Briana, a brilliant arts educator and visual artist, alerted me (via a tag on Facebook) to an article about the rising phenomenon of texting in the...
The other week, Theatre Communications Group held their annual conference. I always wanted to attend, but due to various restrictions, I’ve not had the opportunity. Happily, I discovered TCG live streaming many of their speakers, and two of the keynotes thus far heavily and unsurprisingly focused on social media, audience...
Join us this weekend at City Theatre in Miami for the CityWrights Conference 2011. We’ll be livestreaming several sessions via NewPlayTV. We’ll also be tweeing throughout the conference using both the #2amt and #cwc11 tags over on Twitter. Send questions, comments and conversation our way. Below is a schedule of...
John Lahr, New Yorker theater critic, wrote a piece on Julie Taymor’s frustration with the process of creating a new theatrical work in the era of instant feedback, Twitter, and focus groups. It’s a great piece, full of historical perspective on the role of audience (that is to say, amateur)...