One of my favorite things about summer in an arts organization is that you get a couple of precious weeks where, in between the planning and the subscription mailings, there’s a little fallow time where you can sometimes rise above the fray and say, HEY. What are other people doing...
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A Series of Questions and Thoughts about Some Real Issues We and Theater Journalists Could Ponder as to Why Theaters Aren’t More Daring Most of the regional theaters I’ve worked at or freelanced for create their budgets by projecting tickets sales. This creates a need for artistic programming that will...
Previously in this column: The members of Bright Alchemy Theatre, a very young devised theatre company based in Washington, DC, have spent the last nine months working on its new project which began with the question: Why do we as a species feel the need to tell stories about our...
In case you’ve been in a coma for the last year, there’s this Broadway musical, it’s called Spider-Man: Turn Off the Dark, and it’s made some headlines. There were accidents and script problems and fights with critics and the official opening kept being pushed further back and back and back...
The Follow Friday posts are back! We look at communities remembering their own stories and pulling together to give to the arts, philanthropy from donors and from theatre companies themselves, playwrights living in towns small and large. We also look at theatre companies working together and, well, working at all....
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do...
At the recent Chicago Theater (anti-)Conference hosted by Theater Wit, I received a lot of questions about events. I’ve got some pretty strong feelings about them. I’ve planned about a zillion and I gotta say, I rarely love the process. But, I like going to events. I enjoy knocking back...
In our irrational minds, this is no longer about Chase’s money that we might win. Instead, this is our $20,000 to lose. This is a big difference, and it makes us more more anxious, and it will feel a lot worse to lose the $20,000 than it would have felt good to win it.
After the first sustained pause in the conversation between (sober) theatremakers the party question of choice is “what is your dream project?” It’s a fun topic and generally it means you don’t have to talk for a minute which limits your probability of saying something stupid. It works best for...
You can vote for my theatre company if you want to, I won’t stop you. And I do appreciate the gesture. Note, I’m not saying what the vote is for, or who will benefit from it. Because in the end, it won’t be my theatre company, will it? Chase, Pepsi...