Performance Art. Spoken Word. Don’t stop reading yet. David Sedaris comes to my town fairly often, once or twice a year. He can fill up a 4,000-seat theater, or quickly sell out an eight-night run at a smaller one. Last year, the Associating Writing Programs conference, a gathering of folks affiliated...
theatrical ecosystem
I’m currently working my way through the fantastic book Cognitive Surplus: Creativity and Generosity in a Connected Age by Clay Shirky, the author of Here Comes Everybody, and boy does it ever make me think of our very own #2amt efforts. Not only does it make me consider #2amt with...
Disruptive technology and disruptive innovation are terms used in business and technology literature to describe innovations that improve a product or service in ways that the market does not expect, typically by being lower priced or designed for a different set of consumers. — Wikipedia I think the world of...
UPDATE on endowment possibilities at the end… I may be late to the party on this discussion; many 2amt commentators were featured in today’s You’ve Cott Mail dispatch. But one risk of Chase Community Giving has gone largely unexplored: what effects would a huge financial windfall have on a small...
These are the stories we’ve been following at 2amt this week: Chicago vs New York, development vs marketing, pricing too low vs too fair, theatre vs rock, patrons vs fans, competition vs opportunity, funding vs accessibility, -er vs -re. We even use some naughty words, mainly because they’re funny. Also,...
After the first sustained pause in the conversation between (sober) theatremakers the party question of choice is “what is your dream project?” It’s a fun topic and generally it means you don’t have to talk for a minute which limits your probability of saying something stupid. It works best for...
Introducing a new feature here, Pull Quotes, which will feature a few thoughts from several people in the #2amt tag on Twitter. This time around, we’re following up on our earlier post about programs like Chase Community Giving and Pepsi’s Refresh Everything project. Feel free to chime in with comments...
You can vote for my theatre company if you want to, I won’t stop you. And I do appreciate the gesture. Note, I’m not saying what the vote is for, or who will benefit from it. Because in the end, it won’t be my theatre company, will it? Chase, Pepsi...
Monday night, here in Vancouver, we celebrated The 28th Annual Jessie Richardson Theatre Awards. For those of you who aren’t familiar with the Vancouver cultural landscape, The Jessies are our answer to Toronto’s Doras or Broadway’s Tony Awards. They honour theatre excellence over the past year. You can say what...
The space and conventions around a live performance determine whether it is fundamentally inclusive or exclusive. When an arts organization or producer decides to charge $100 for a ticket, and another decides to put on a show for free, either performance can be “legitimate” and draw a large crowd, if...