Beth Burns is the sort of person who is better than you at everything but doesn’t get all showy about it, and that allows you to retain your dignity. Altogether a nice sort of person to be around. She doesn’t lord her award nominations over you, or her wins, or...
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As Laurie Baskin says at the TCG site, “It is vitally important that you actively participate in advocacy this week regarding the NEA.” Click through to her post where you will find several links for action and advocacy. Do check them out, sign onto the lists, send messages to your...
Some days the internet seems like nothing more than a jargon factory. It pops out new words, phrases and memes that we are somehow supposed to instinctively know moments after coinage and knowledge of the day’s watchword becomes a hard demarcation of inclusion or exclusion. It is imperative for those...
As part of our efforts to solidify the beginnings made last year in the dawn of 2amTheatre.com, we will be rolling out some programmatic additions. Let’s start with: award winning arts maven Suzi Steffen. Suzi will be joining 2amTheatre.com as a contributor, kicking off her stay with us with wall-to-wall...
Your real job is relationships. No new surprise there. You build relationships through shared meaning and narrative. Still, no great revelation. Meaning is through shared language. What are you creating to bring new language to the collective discussion? Dr. Seuss (a master in the use of language) put it best...
A lot of the cross talk that happens on the #2amt tag on Twitter is, at its core, about gatekeepers. Who they are, why they exist, why we want them not to exist and what can or should we do about them. Outrageous Fortune is a story of gates and...
Looks like everyone’s wrestling this week, whether it’s playwrights & critics, casts & audiences, critics & artistic directors, journalists & editors… We’ve also been thinking, arguing and questioning what we do and why we do it. We even get a little political, but only a little. And there’s no intermission....
(This photo was taken with a fancy rented underwater camera rig by Portland Center Stage photographer Owen Carey. Pictured is Kevin Reed as Joe Gillis in Sunset Boulevard.) Got your own great photo from your show? Don’t you want to see it EVERYWHERE? Read on. Recently, The Royal Opera House...
Mashable proclaims that QR codes are poised to hit the mainstream. So what’s a theater to do? First, what are QR codes? QR = Quick Response. They are square bar codes packed with more dense information than the traditional bar code you recognize, and are most often linked to a...
Want to see us live and direct from the first annual Chicago Fringe Festival? Streaming via the #newplay channel from Arena Stage, we go live at 10:30 am CT, 11:30 am ET, Saturday, September 4th, 2010. Kris Vire, theatre editor at Time Out Chicago, is the moderator. The panel includes...