I should be writing other things. And I hate to have two posts in a row reacting to Michael Kaiser’s posts at Huffington Post. But here we are. Instead, here are some quick reactions to Kaiser’s latest post about social media directly from Twitter. [View the story “Social Media on...
social media
The Metropolitan Opera just posted their new online brochure, and it has a few clickable links to audio and video plus photos that make it look more like an edgy contemporary theatre than the keeper of the flame for a legacy artform. I kind of dig it. You can check...
Over the past week or so I have been near the center of exchanges about theatre and social media that feel alternately like discussions, vent sessions, and policy ponderings. Social media and theatre and the mix of both — discuss. And when you add in questions of the directionality of...
There’s a great, big, beautiful tomorrow Shining at the end of every day There’s a great, big, beautiful tomorrow And tomorrow’s just a dream away Walking into the darkened New World Stages for TEDxBroadway, I half expected to see a sign saying “Presented by General Electric,” or at least a...
As the founder and now social media manager for Portland’s Fertile Ground Festival, I have recently had the delightful and curious experience of being able to dip my finger daily into the stream of material our 100 plus world premiere projects have created to promote their shows. I asked myself,...
Once upon a time, perhaps 15 or 20 years ago, I read a really fascinating article which posited that the arts would get more coverage in the media if they opened themselves up and provided greater access to the media. It suggested that the arts were working too hard to...
Thanks to Travis Bedard, I don’t need to say anything about Michael Kaiser’s latest post. And if that weren’t enough, you could read more from Jeremy Barker and Isaac Butler in reaction. I will say this. The irony of complaining about citizen bloggers in a post at the Huffington Post...
Over the weekend, @NewPlayTV streamed three interesting, presumably unrelated talks. The first was from Steppenwolf’s First Look Festival, titled How to engage 21st Century Audiences for New Plays, followed an hour later by one from the PlayFest at Orlando Shakespeare Theater on How to Make a Living as a Playwright?...
“Everyone,” I wrote in a tweet to promote my previous blog post, “enjoys a good blurbing now and again.” Although I didn’t mind if someone read some perverse double entendre into “blurbing,” it was neither euphemism nor metaphor. I was referring to the time-honored and oft-criticized practice of skillfully extracting...
Dear @Resident Theatre Company or @Individual Show: You know I love you and so I’m sorry to do this impersonally. But we have to talk. I know it’s hard to hear those words, because they always lead to the same thing. And to be perfectly honest, this time, it’s not...