Peter Marks (Washington Post) hosted a conversation with DC area artistic directors about representation of women and people of color on our stages. Participants: Paul Tetreault, Molly Smith, Eric Schaeffer, @ryanrilette, and Patta Tsikurishvili. (Details: http://goo.gl/d)
…Then ish got real.
One of my favorite things about summer in an arts organization is that you get a couple of precious weeks where, in between the planning and the subscription mailings, there’s a little fallow time where you can sometimes rise above the fray and say, HEY. What are other people doing...
Here in DC, it’s season roll-out time. The major theatres are sending out press releases listing the plays they’ll be tackling in their 2012-13 season, making each seem like a precious gem that audiences would be fools to miss. Recently, after two major theatres went public with their season and...
A Series of Questions and Thoughts about Some Real Issues We and Theater Journalists Could Ponder as to Why Theaters Aren’t More Daring Most of the regional theaters I’ve worked at or freelanced for create their budgets by projecting tickets sales. This creates a need for artistic programming that will...
What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are...
…and what it means for our future. I was a lucky audience member for the Oct 26th SDC Zelda Fichandler Award presentation at Arena Stage (which was given, this year, to Blanka Zizka of Wilma Theater). I wanted to attend, in part, because I had just joined the stage directors...
Over the weekend, @NewPlayTV streamed three interesting, presumably unrelated talks. The first was from Steppenwolf’s First Look Festival, titled How to engage 21st Century Audiences for New Plays, followed an hour later by one from the PlayFest at Orlando Shakespeare Theater on How to Make a Living as a Playwright?...
