A lot of the cross talk that happens on the #2amt tag on Twitter is, at its core, about gatekeepers. Who they are, why they exist, why we want them not to exist and what can or should we do about them. Outrageous Fortune is a story of gates and...
ideas
“We regret to inform you that of the 19 nominated plays, none was deemed sufficiently realized by the selection panel to receive the Prize. As a result, the Wasserstein Prize will not be presented in 2010. While the panel thought that many of the scripts showed promise, they felt that...
In the past twelve months, I have been a candidate in several searches for a new artistic director, and in three cases, I have been one of the last two or three standing. These experiences – these cover letters, interviews, meetings, discussions and also the crushing disappointments of that...
Gwydion, this one’s for YOU. Recently, after having pored through a stack of theater brochures that hit my inbox, I put out a whimsical challenge to the #2amt twitter community: Describe your next project in 140 characters without using a single adjective. Gwydion remarked that he LIKED adjectives, and wasn’t...
Looks like everyone’s wrestling this week, whether it’s playwrights & critics, casts & audiences, critics & artistic directors, journalists & editors… We’ve also been thinking, arguing and questioning what we do and why we do it. We even get a little political, but only a little. And there’s no intermission....
We all have regrets. We have the shows we almost saw, the times when we didn’t quite make it out the door, didn’t cross town, and then the show we wanted to see existed on Earth no more. It happened without us. We so wanted to go. We were tired, or we were distracted,...
Last week, I coached an actor who had a big audition this past weekend. It was of the ‘bring two contrasting pieces’ variety. She came to me a little later in her process than I would have liked: I didn’t get a chance to consult with her about what pieces...
Screw pricing conversations. DANCE BREAK. Seriously, though, theater needs more dance breaks. I believe this very strongly. I’m willing to fight about it (in a stylized, West Side Story dance-fight sort of way). And I’ll tell you why. I started thinking about this because I recently re-read Jason Grote’s 1001...
My last 2AMT post – on civil discourse around the subject of pricing – generated a great deal of lively commentary. While some of what was said flirted with the gray area between “passionate” and “heated” – the former I consider intense and devoted, the latter inflammatory and aggressive –...
Why is it so difficult to discuss how we price tickets? I want to note right away that I’m not asking why we struggle to SET ticket prices; for very good thinking about pricing, I suggest you read through Trisha Mead’s posts on the subject. I’m asking why we struggle...