Toward the end of last year, I began to get a series of emails from theater companies and arts organizations I’ve worked with in the past asking me to consider making donations in support of their efforts. This has become a late-December custom for me; I’m sure you experience the...
I attended an inspiring and provoking event last night, the New York Theatre Experiment’s second “Generations” event, where Michael Mayer, Denis O’Hare, and Annie Baker talked about the future of theater. A lot of juicy topics came up, many of which I think would be fodder for their own panel...
“We regret to inform you that of the 19 nominated plays, none was deemed sufficiently realized by the selection panel to receive the Prize. As a result, the Wasserstein Prize will not be presented in 2010. While the panel thought that many of the scripts showed promise, they felt that...
At the recent Chicago Theater (anti-)Conference hosted by Theater Wit, I received a lot of questions about events. I’ve got some pretty strong feelings about them. I’ve planned about a zillion and I gotta say, I rarely love the process. But, I like going to events. I enjoy knocking back...
Disruptive technology and disruptive innovation are terms used in business and technology literature to describe innovations that improve a product or service in ways that the market does not expect, typically by being lower priced or designed for a different set of consumers. — Wikipedia I think the world of...
UPDATE on endowment possibilities at the end… I may be late to the party on this discussion; many 2amt commentators were featured in today’s You’ve Cott Mail dispatch. But one risk of Chase Community Giving has gone largely unexplored: what effects would a huge financial windfall have on a small...
After the first sustained pause in the conversation between (sober) theatremakers the party question of choice is “what is your dream project?” It’s a fun topic and generally it means you don’t have to talk for a minute which limits your probability of saying something stupid. It works best for...
The space and conventions around a live performance determine whether it is fundamentally inclusive or exclusive. When an arts organization or producer decides to charge $100 for a ticket, and another decides to put on a show for free, either performance can be “legitimate” and draw a large crowd, if...
