I’ve been thinking more and more about my responsibility as an artist. And just typing that feels a little weird—the idea that artists have responsibilities other than to their art. But our work does more than just sit there in our heads. It wanders out of our skulls and into...
Stephen Spotswood
Here in DC, it’s season roll-out time. The major theatres are sending out press releases listing the plays they’ll be tackling in their 2012-13 season, making each seem like a precious gem that audiences would be fools to miss. Recently, after two major theatres went public with their season and...
Previously in this column: The members of Bright Alchemy Theatre, a very young devised theatre company based in Washington, DC, have spent the last nine months working on its new project which began with the question: Why do we as a species feel the need to tell stories about our...
Rachel Chavkin, founding artistic director of the TEAM, a devising ensemble, wrote an article on TCG’s blog that asks the question, “What if devised theatre moved from the margins to the mainstream of theatre making?” She makes the case that the slower, cooperative methods involved in a lot of devised...
In case you’ve been in a coma for the last year, there’s this Broadway musical, it’s called Spider-Man: Turn Off the Dark, and it’s made some headlines. There were accidents and script problems and fights with critics and the official opening kept being pushed further back and back and back...
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do...
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do...
Week 6: This is the first week where there was homework. For the last two months, we’ve been talking about Apocalypse on the grand scale. Lots of great thoughts circling vast concepts of evolution and society. I thought it might be useful to start thinking on the micro scale. Throughout...
On the last day of the new play convening held at Arena Stage this past January, participants (and livestream satellite observers) were asked to come up with goals for the coming year. What could we do to further the state of new play development in our town/city/shire? One of my...
Week 3. Is it just me, or are destruction stories a lot less interesting—or at least less fantastical—than creation stories? And there are a lot fewer variations on how things end than on how things begin. Maybe because with creation you have to work for it. We can’t imagine how...