Live from the stage of Actors Theatre of Louisville, a panel discussion about festivals and community. From the Humana Festival of New American Plays to the IdeaFestival, Louisville, Kentucky, is home to a growing variety of high-profile festivals that celebrate the arts and culture, reflecting the joy of conversation and...
theatrical ecosystem
Today is apparently the day that Culture Stops. Except it won’t. I basically agree with their mission: Culture Stops! is a citizen-driven, peaceful day of action by individuals and organizations in the creative sector across the United States who share the simple belief that the power of creative thought is...
Supply, Demand, and Quality in the American Theater Or, Just What Are We Supplying? NEA chair Rocco Landesman’s comments at the recent Arena Stage New Works convening – that we have a supply and demand issue in the American Theater, and that we should consider decreasing supply – has started...
Only one pays. You see, I have an MFA in Poetry and when I was in graduate school I knew that said degree wasn’t going to translate into a paying job. Are you kidding? You think playwrights have it rough? Try the world of poetry. Poets hobble together a living....
What the F@#k is Devised Theatre (Or How I Accidently Helped Start a Theatre Company) One of the great conversations that has arisen from Arena Stage’s New Play Convening is this discussion about devised theatre: what is it; who does it; why do they bother? As people started trying to...
On the Sunday morning of opening weekend (yesterday as I post this), Oregon Shakespeare Festival Executive Director Paul Nicholson and Artistic Director Bill Rauch sat down for a press conference with the critics and reporters who were in town for the 2011 opening weekend. I hear the event used to...
Tom Robinson (Peter Macon), Atticus Finch (Mark Murphey) and Heck Tate (Peter Frechette) in the Oregon Shakespeare Festival’s To Kill a Mockingbird. Photo: David Cooper. Ashland’s a snowy, somewhat icy town this weekend for the opening weekend of the Oregon Shakespeare Festival. First up last night was the Bill Rauch-directed...
I’m really happy for Gwydion here. He’s found a situation that works for him as an artist, and I wouldn’t wish him anything differently. But as he points out so well, not every artist has the luxury of a cool company, doing work that so well complements their art. And...
I don’t like to talk too much about the employment situation I’ve enjoyed for the last nine or so years, because I’m not inclined to brag… but the truth is, for a playwright—for any sort of artist, really—I’ve got it good: very good. Of late, though, I’ve begun to think...
On January 21st of this year, my producing partners and I began previews of the first of its kind, interactive live streamed play. This was a full length production of Joey Brenneman’s Better Left Unsaid, cast with professional New York actors, staged in a small off-off broadway house in front...