I had the distinct pleasure of traveling to Arena Stage two weeks ago to be part of one of the most important national new play convenings in recent history. In 2011, the very act of discussing new work means you’ve got to be rabidly thorough about inviting in as many...
rabble rousing
On the Life-cycle of the Theatre Lover Your patrons are all very old. They’re all going to die. What on earth will you do? Oh, dear. You’d better invest all your time and money into getting young people to come to the theatre, or in a few years, you’ll be...
So apparently the following is too “abusive” or “off topic” for the NY TIMES to post on its Arts Beat page. One thing you can’t do in posts, I guess, is criticize the critics. But because this conversation means a lot to me, and because I’ve been in it for...
Indulge me in a little rhetorical drama, I have, on occasion, so indulged many of you. The USA needs theatre. We are a potentially free and democratic people, but when the citizens become disenchanted and politically disengaged, we disenfranchise ourselves and cede leadership to those who can tolerate swimming in...
And there are those times that we treat it, the theatre, the thing that we all love so much that we sacrifice sleep and money and relationships with other human beings for it; there are times we treat it like a patient with an illness we cannot identify but we...
Mr. Landesman has responded personally on the NEA blog (did you know the NEA had a blog? I did not.) to the conversation/controversy regarding his statements about the supply and demand of the American theater. Its a great read, I highly recommend it, with much to agree with actually. After...
A lot of the cross talk that happens on the #2amt tag on Twitter is, at its core, about gatekeepers. Who they are, why they exist, why we want them not to exist and what can or should we do about them. Outrageous Fortune is a story of gates and...
“We regret to inform you that of the 19 nominated plays, none was deemed sufficiently realized by the selection panel to receive the Prize. As a result, the Wasserstein Prize will not be presented in 2010. While the panel thought that many of the scripts showed promise, they felt that...
Looks like everyone’s wrestling this week, whether it’s playwrights & critics, casts & audiences, critics & artistic directors, journalists & editors… We’ve also been thinking, arguing and questioning what we do and why we do it. We even get a little political, but only a little. And there’s no intermission....
Quick: how many theatre pieces have you seen with the word Project in the title? Quite a few, right? Maybe you’ve been involved in one. I have. And almost everyone knows about The Laramie Project. The word Project is often an indicator of devised work–pieces created by an ensemble rather...