producers

This past weekend at the Chicago Theatre anti-Conference (#ctac, if you feel like swimming up the Twitter stream), erstwhile arts-administrators-turned-funders Christy Uchida, Boeing Chicago’s Community Investor, and Paul Botts, from the Gaylord and Dorothy Donnelly Foundation, gave conference attendees the gift of some hard-won insights through a discussion entitled, “If...

More
  • August 25, 2010
  • 9

Speak softly and carry a big stick. — Theodore Roosevelt Before we begin, if you haven’t already, read a cautionary tale about comments by the artistic director of Edmonton’s Teatro La Quindicina and then his explanation of those comments. I can wait. Are you back? Okay. There’s a difference between...

More
  • August 18, 2010
  • 4

After the first sustained pause in the conversation between (sober) theatremakers the party question of choice is “what is your dream project?” It’s a fun topic and generally it means you don’t have to talk for a minute which limits your probability of saying something stupid. It works best for...

More
  • June 24, 2010
  • 9

The space and conventions around a live performance determine whether it is fundamentally inclusive or exclusive.  When an arts organization or producer decides to charge $100 for a ticket, and another decides to put on a show for free, either performance can be “legitimate” and draw a large crowd, if...

More
  • June 10, 2010
  • 4

O the ill-lit, often lonely corners of the Internet where theater-company blogs reside! O the carefully eked-out production notes and interviews and dramaturgy, still photos and videos and audio conversations—sometimes engaging, sometimes profound, sometimes beautiful—that end for eternity with Comments (0)!  Unless a relative, friend, or fellow company member sees it, in...

More
  • June 8, 2010
  • 5