Wherein I blog Bright Alchemy’s devising process for its newest project. My living room is full of artists eating baked goods and mainlining coffee. The latter is not surprising, since it’s 10:30 A.M. on a Sunday. What is surprising is that a dozen theatre-makers chose to subject themselves to this...
On January 21st of this year, my producing partners and I began previews of the first of its kind, interactive live streamed play. This was a full length production of Joey Brenneman’s Better Left Unsaid, cast with professional New York actors, staged in a small off-off broadway house in front...
As someone in the process of starting my own theater company, I was predisposed to take issue with Rebecca Novick’s post. It ended up upsetting me less than I predicted, but I maintain what I predicted my position would be: I’m starting my theater company, damn it. Not that I...
I was a fan of children’s theatre starting as a little kid in a music/drama toddler class (seriously). The Wolf in Little Red Riding Hood scared me silly at age 4; I took part in many a play at school and in special drama programs (Camellot Academy in Kansas City)...
So apparently the following is too “abusive” or “off topic” for the NY TIMES to post on its Arts Beat page. One thing you can’t do in posts, I guess, is criticize the critics. But because this conversation means a lot to me, and because I’ve been in it for...
The main thrust that came out of the #NewPlay Los Angeles (#LAThtr) watch party was that the issues we were hearing during part one of the action steps portion were not the same issues expressed from the Los Angeles theater practitioners in the room. Photo taken by Cindy Marie Jenkins...
Indulge me in a little rhetorical drama, I have, on occasion, so indulged many of you. The USA needs theatre. We are a potentially free and democratic people, but when the citizens become disenchanted and politically disengaged, we disenfranchise ourselves and cede leadership to those who can tolerate swimming in...
by Heather Bishop Gathered today at the Vortex Theater in Austin, Texas, members of Austin’s theater community watched final discussions from both ideological and practical perspectives. From Kristoffer Diaz’ points regarding the documentation of diversity efforts in theater and the definition of an American play regardless of accent or region...
FROM SOUTHERN REP, New Orleans, LA A CONVERSATION IN RESPONSE TO NEW PLAY PANEL When you talk about diversity – what does that really mean? If your audience doesn’t reflect that – what is diverse? If you want a diverse audience, are you doing work that would reflect that? Only...
