If you’re wise, even just a little wise, you don’t blurt out the literal first thing that comes to your mind. Your first response may be the truest, it may be right, but unfiltered conversation is seldom advisable no matter how entertaining. You of course should always record your first...
Travis Bedard
In another life I was the assistant production manager at the Exit Theatre in San Francisco. Mostly that meant mopping and house managing and babysitting load-ins but the Exit is also the home of the San Francisco Fringe Festival. I loved that month every year. We work in a field...
On early Monday, August 6th – right after my densest stretch of work in a long time – I got to join in the collective joy that was the landing of the Curiosity rover on Mars.I was crying on my couch at headset chatter and strangers eating peanuts. I hadn’t...
The ease of publishing in this post-Millennial moment means that a lot of half and semi-baked ideas get pushed into the universe, and the lack of friction to respond combined with the relative lack of consequence of narrowcasting your opinions means that a lot of folks get to talk an...
No matter how deeply you bury yourself in new plays and new play creation and theory, theatre remains largely a reflection of where we’ve been (check your local listings). Right now I’m in two shows that combined are more than 800 years old. So the tone of this Culturebot article...
It’s March 27th again. A day stamped by UNESCO as World Theatre Day 50 years ago in that way that organizations will… slapping a name on a day as though that could make it special. It can’t of course. And every year there is a susurration of tuts and tsks...
On my own blog some time ago I wrote about smaller and regional theatres being considered “minor league” in the pejorative sense and the broken ideas around that vocabulary in a post called “Is this Heaven, No It’s Iowa”. The happy upbeat ending for those of you too good to...
I’m nobody! Who are you? Are you nobody, too? Then there’s a pair of us — don’t tell! They’d banish us, you know. How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog! ~Emily Dickinson I am Michael Kaiser’s...
The theatre niche of the social media stream operates much like any other Animal Farm and in this particular backwater Animal Farm I am a donkey who has lived a long time. Hang around long enough and one sees the patterns of people entering and leaving or the ebbs and flows of the...
Subscribe to the 2amt podcast in iTunes. There’s an aggressive sort of experimental theatre that longs to prove not just how smart it is, but how much smarter it is than you. Or how much more grad school it went to. Rubber Repertory is not that theatre. Rubber Rep, made...