I am a tremendous admirer of the verses of Robert Frost. I’ve been studying his work for as long as I’ve been studying poetry, which is (at happens) more than a couple of decades now, and it continues to yield new discoveries for me. He was a prosodic genius—a fact...

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  • December 5, 2011
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Early in 2011 the national and international theatrical community rallied together behind the Belarus Free Theatre as they struggled to find a way to not only continue their powerful work in the theatre, but bring awareness to the truth of the situation in their country of Belarus. Human rights infringements,...

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  • November 30, 2011

What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are...

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  • November 18, 2011

a #neverbedark approach to making more art Three years ago, at Sycamore Rouge, we built six acting cubes, and it not only changed the way we rehearsed- it changed the way we opened the doors to artmaking. Like many theatres, we produce a five-show mainstage theatre season. We have a...

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  • November 17, 2011

Thanks to Travis Bedard, I don’t need to say anything about Michael Kaiser’s latest post. And if that weren’t enough, you could read more from Jeremy Barker and Isaac Butler in reaction. I will say this. The irony of complaining about citizen bloggers in a post at the Huffington Post...

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  • November 15, 2011

…and what it means for our future. I was a lucky audience member for the Oct 26th SDC Zelda Fichandler Award presentation at Arena Stage (which was given, this year, to Blanka Zizka of Wilma Theater). I wanted to attend, in part, because I had just joined the stage directors...

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  • November 15, 2011
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I’m nobody! Who are you? Are you nobody, too? Then there’s a pair of us — don’t tell! They’d banish us, you know. How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog! ~Emily Dickinson I am Michael Kaiser’s...

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  • November 14, 2011
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Over the weekend, @NewPlayTV streamed three interesting, presumably unrelated talks. The first was from Steppenwolf’s First Look Festival, titled How to engage 21st Century Audiences for New Plays, followed an hour later by one from the PlayFest at Orlando Shakespeare Theater on How to Make a Living as a Playwright?...

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  • November 9, 2011
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