the future

A Series of Questions and Thoughts about Some Real Issues We and Theater Journalists Could Ponder as to Why Theaters Aren’t More Daring Most of the regional theaters I’ve worked at or freelanced for create their budgets by projecting tickets sales. This creates a need for artistic programming that will...

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  • February 19, 2012
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As the founder and now social media manager for Portland’s Fertile Ground Festival, I have recently had the delightful and curious experience of being able to dip my finger daily into the stream of material our 100 plus world premiere projects have created to promote their shows. I asked myself,...

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  • January 18, 2012

What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are...

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  • November 18, 2011

…and what it means for our future. I was a lucky audience member for the Oct 26th SDC Zelda Fichandler Award presentation at Arena Stage (which was given, this year, to Blanka Zizka of Wilma Theater). I wanted to attend, in part, because I had just joined the stage directors...

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  • November 15, 2011
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The non-profit model is living on borrowed time. The current model is dying. Even still, I think we spend more time trying to figure out how to fund a show than actually making the show. Read: The way we make money to make art is not sustainable. Insanity: Doing the...

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  • August 24, 2011
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