Let’s see if I have this straight. Women write about bias–unconscious or not–in an industry, they set up a group to support fellow women in said industry, men immediately comment on social media about how this isn’t really a problem, maybe these women are biased, because it damn well isn’t...
Some Essential Women Playwrights of the 20th & 21st Centuries In June, the Kilroys released their fantastic and important list of most recommended new plays by women. In July, partly in preparation to teach a course entitled Women in Theatre and partly because many of them have been on my...
I’m currently writing a play called The Secret of the Biological Clock, about a former girl detective who is turning 37 and wants to solve the mystery of what makes a family. I have spent the past two months flipping out about stage directions. Stage directions. The play itself is...
I’ve been thinking more and more about my responsibility as an artist. And just typing that feels a little weird—the idea that artists have responsibilities other than to their art. But our work does more than just sit there in our heads. It wanders out of our skulls and into...
I’m 22 years old, a student at NYU’s Dramatic Writing Program. I’m sitting in a coffee shop, surrounded by friends. The topic of conversation is how a teacher admitted that he couldn’t name a female playwright he liked. I don’t know if this story is true. I don’t care since...
“We regret to inform you that of the 19 nominated plays, none was deemed sufficiently realized by the selection panel to receive the Prize. As a result, the Wasserstein Prize will not be presented in 2010. While the panel thought that many of the scripts showed promise, they felt that...
A conversation broke out during the hockey game that is Twitter last week around the topic of gender equity, or the lack thereof, in the theatre. This eventually led to an offshoot on the nature of inclusion as a whole. There is a gnarled thicket of issues blossoming fruitfully underneath...