talk about what’s good

What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are...

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  • November 18, 2011

a #neverbedark approach to making more art Three years ago, at Sycamore Rouge, we built six acting cubes, and it not only changed the way we rehearsed- it changed the way we opened the doors to artmaking. Like many theatres, we produce a five-show mainstage theatre season. We have a...

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  • November 17, 2011

Thanks to Travis Bedard, I don’t need to say anything about Michael Kaiser’s latest post. And if that weren’t enough, you could read more from Jeremy Barker and Isaac Butler in reaction. I will say this. The irony of complaining about citizen bloggers in a post at the Huffington Post...

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  • November 15, 2011

Orion as a cop on the mean streets of 1970s San Francisco. Hera as the lady of a country estate in Victorian England. Chronus as an Arizona Republican politician debating whether to align himself with the Tea Party. These are some of the dozens of creative reinterpretations of Greek mythology...

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  • November 2, 2011
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The non-profit model is living on borrowed time. The current model is dying. Even still, I think we spend more time trying to figure out how to fund a show than actually making the show. Read: The way we make money to make art is not sustainable. Insanity: Doing the...

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  • August 24, 2011
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