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Let’s see if I have this straight. Women write about bias–unconscious or not–in an industry, they set up a group to support fellow women in said industry, men immediately comment on social media about how this isn’t really a problem, maybe these women are biased, because it damn well isn’t...

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  • March 19, 2015

A production of the musical Monty Python’s Spamalot, slated for the South Williamsport Junior/Senior High School in Pennsylvania in 2015, was canceled by the school’s principal due to “homosexual themes.” In case you haven’t been following the story, you might check out Howard Sherman’s overview at Slate for background, Drew...

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  • September 17, 2014

Some Essential Women Playwrights of the 20th & 21st Centuries In June, the Kilroys released their fantastic and important list of most recommended new plays by women. In July, partly in preparation to teach a course entitled Women in Theatre and partly because many of them have been on my...

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  • August 4, 2014

We’ve Named the Problem. Now what? Unless you’ve been living under a rock the last week (in which case, I hope it’s been warm!), if you’re in the theatermaking world, you are likely aware of the fallout from an event Twitter dubbed #thesummit. For the uninitiated, Brett Steven Abelman posted a...

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  • February 26, 2014
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Peter Marks (Washington Post) hosted a conversation with DC area artistic directors about representation of women and people of color on our stages. Participants: Paul Tetreault, Molly Smith, Eric Schaeffer, @ryanrilette, and Patta Tsikurishvili. (Details: http://goo.gl/d)
…Then ish got real.

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  • February 19, 2014
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This speech was presented at the opening session of the Audience Engagement track at this year’s TCG Conference in Dallas, June 6-8, 2013. The conference was designed on an academic theme, so each track was considered a “major.” Dear Majors in Audience Engagement, We all come to this conference with...

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  • June 10, 2013