audiences
Indulge me in a little rhetorical drama, I have, on occasion, so indulged many of you. The USA needs theatre. We are a potentially free and democratic people, but when the citizens become disenchanted and politically disengaged, we disenfranchise ourselves and cede leadership to those who can tolerate swimming in...
- February 3, 2011
- 3
advocacy / audiences / development / devised work / dramaturgy / marketing / social media / the process
Your real job is relationships. No new surprise there. You build relationships through shared meaning and narrative. Still, no great revelation. Meaning is through shared language. What are you creating to bring new language to the collective discussion? Dr. Seuss (a master in the use of language) put it best...
- January 10, 2011
- 5
Looks like everyone’s wrestling this week, whether it’s playwrights & critics, casts & audiences, critics & artistic directors, journalists & editors… We’ve also been thinking, arguing and questioning what we do and why we do it. We even get a little political, but only a little. And there’s no intermission....
- October 22, 2010
- 3
Screw pricing conversations. DANCE BREAK. Seriously, though, theater needs more dance breaks. I believe this very strongly. I’m willing to fight about it (in a stylized, West Side Story dance-fight sort of way). And I’ll tell you why. I started thinking about this because I recently re-read Jason Grote’s 1001...
- October 5, 2010
- 10
At least twice a rehearsal, a potential audience member wanders in and asks what we’re doing. They ask what play this is, if they can watch us rehearse, when we’re performing, whether we need more performers, and if we ever hold open mic nights. These are people from the neighborhood...
- September 29, 2010
- 7
Every Friday—really, consistently, every Friday—at noon, you’ll find a line around the corner at Hot Doug’s. Folks in line take photos. Here are a few. Every Friday night—really, consistently, every Friday—at 11 p.m. you’ll find a line around the corner at the Neo Futurists, for their 30-plays-in-an-hour show Too Much...
- September 10, 2010
- 1
In the fairly recent past, an active subject of conversation that kept resurfacing was the content of current shows in the commercial sector. Namely, the fact that a majority of new productions on Broadway are based on pre-extant Intellectual Property. Of course many artists aren’t too thrilled about this when...
- September 4, 2010
- 1