producers

Introducing … Bobby Bermea, who serves as the artistic director of BaseRoots Theatre, a newish theatre company in Portland, Oregon. BaseRoots was founded on Juneteenth, 2009, and its mission statement says that it’s “a group of professional theater artists organized to build bridges between communities by presenting classical and contemporary...

More
  • February 11, 2011
  • 1

The main thrust that came out of the #NewPlay Los Angeles (#LAThtr) watch party was that the issues we were hearing during part one of the action steps portion were not the same issues expressed from the Los Angeles theater practitioners in the room. Photo taken by Cindy Marie Jenkins...

More
  • February 7, 2011
  • 4

Indulge me in a little rhetorical drama, I have, on occasion, so indulged many of you. The USA needs theatre. We are a potentially free and democratic people, but when the citizens become disenchanted and politically disengaged, we disenfranchise ourselves and cede leadership to those who can tolerate swimming in...

More
  • February 3, 2011
  • 3

Passed around Twitter feeds, posted on Facebook walls: last week’s Onion joke article. Funny, but with a twinge of ouch—not because I have ever wanted to tell the story of my life onstage, but because at different times I have written, directed, and produced non-confessional one-actor plays. Doing so, if anyone is...

More
  • January 24, 2011

I don’t think anything that’s really creative can be done without danger or risk. — Julie Taymor I’m not here to judge the merits of Spider-Man: Turn Off the Dark. I haven’t seen the play, I’ve only heard one less-than-thrilling song. But I do know the people involved are capable...

More
  • December 21, 2010
  • 9

I attended an inspiring and provoking event last night, the New York Theatre Experiment’s second “Generations” event, where Michael Mayer, Denis O’Hare, and Annie Baker talked about the future of theater. A lot of juicy topics came up, many of which I think would be fodder for their own panel...

More
  • November 30, 2010
  • 34

In the fairly recent past, an active subject of conversation that kept resurfacing was the content of current shows in the commercial sector. Namely, the fact that a majority of new productions on Broadway are based on pre-extant Intellectual Property. Of course many artists aren’t too thrilled about this when...

More
  • September 4, 2010
  • 1