Alright, I’ve had it and I’m not keeping it to myself anymore. It seems that not a day goes by that a news item appears one place or another announcing that someone famous is considering/acquiring rights/contemplating/dreaming about creating a Broadway show or being on Broadway. Yesterday it was Kara DioGuardi...
playwrights
I’ve been trying to fully digest the recent HowlRound post On Theatricality by Lydia Stryk. With a slew of comments (15 at my last count), it’s generated quite a bit of conversation. From the get go this blog post got stuck in my craw. I’m not the only one. Playwright...
Roll On, Strange Little Plays. Roll On. I will start off saying this: rolling world premieres should be the ONLY way plays premiere. With consecutive and distinct productions a new play gets the essential time and community to mature rapidly, thoroughly, and cradled by friendly forces. Awww. A play becomes...
I am not blocked, I write in the text window. This is not block. But it had been months, it seemed. It had been years, been centuries. Worse than that; it had been minutes, bound fast to the bottom of the hourglass, each grain landing square on the bridge of...
When I was asked to blog the Bay Area Playwrights Festival (BAPF) I immediately agreed to take on the task, but as the festival neared I began to wonder what exactly I would write about. I’m sure many in the 2AMt community have attended and participated in new work festivals...
“In the universe – just like in music, or architecture, or relationships – the absence, the space between, is just as important as the observable, tangible things.” — Dear Galileo by Claire Willett One of the questions I continually run up against when I’m writing a play is this: “Who...
Here in San Francisco we are one week away from the kick off of the 2011 Bay Area Playwrights Festival (BAPF). I’m a big fan of this festival because it’s how I started down the playwriting path. Back in 2005 my first play was selected for the festival and since...
It’s been a month since the first Dramatists Guild National Conference. In that month, three things have stayed with me: Mame Hunt’s declaration to playwrights to stop writing realism, Julia Jordan’s keynote speech on gender parity, and Marsha Norman’s comment that we need to hear everyone’s stories at the gender...
I’ve been thinking lately about why, how, and by whom new plays are commissioned. I’ve been fortunate enough to have earned a few commissions myself, and it won’t surprise anyone to learn that in all of those instances, the commissions have come from theater companies. The companies in question needed...
Join us this weekend at City Theatre in Miami for the CityWrights Conference 2011. We’ll be livestreaming several sessions via NewPlayTV. We’ll also be tweeing throughout the conference using both the #2amt and #cwc11 tags over on Twitter. Send questions, comments and conversation our way. Below is a schedule of...