It’s been a month since the first Dramatists Guild National Conference. In that month, three things have stayed with me: Mame Hunt’s declaration to playwrights to stop writing realism, Julia Jordan’s keynote speech on gender parity, and Marsha Norman’s comment that we need to hear everyone’s stories at the gender...
non-profit theatre
This afternoon, Florida Stage announced that it was filling for chapter 7 bankruptcy and closing its doors forever. Florida Stage was the largest theatre company producing only new work in the United States. They were also the largest theatre company in the South Florida Theatre Region. Unfortunately, they had 1.5...
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do...
Supply, Demand, and Quality in the American Theater Or, Just What Are We Supplying? NEA chair Rocco Landesman’s comments at the recent Arena Stage New Works convening – that we have a supply and demand issue in the American Theater, and that we should consider decreasing supply – has started...
We had our annual board retreat for Woolly Mammoth last Saturday. One of our members arranged for us to use a gigantic conference room in the offices of his law firm. One brilliant logistical idea I wanted to share – he arranged for free parking in the building garage but...
What the F@#k is Devised Theatre (Or How I Accidently Helped Start a Theatre Company) One of the great conversations that has arisen from Arena Stage’s New Play Convening is this discussion about devised theatre: what is it; who does it; why do they bother? As people started trying to...
Up here in the Northwest, the crisis du jour has been all about Intiman Theatre’s recent public cry for help… they need about $1 mil by summertime or they are going to need to close their doors. Suddenly, Rocco Landesman’s provocative statements about the American theater being oversupplied had a...
Please Don’t Start a Theater Company, I Say Again… In 2009, I read with interest a call from Edward Clapp, a graduate student at Harvard, for essays on the future of the arts by arts workers under 40. Thinking about what to write, I recalled a conversation I’d had just...
This is an extension of last year’s post, What’s in Your Lobby? Whether your theater company is itinerant or in a permanent space, and whether you are an arts administrator, an artistic director, or a fan, ask yourself: what is your lobby? Is it a living room? Is it a...
The main thrust that came out of the #NewPlay Los Angeles (#LAThtr) watch party was that the issues we were hearing during part one of the action steps portion were not the same issues expressed from the Los Angeles theater practitioners in the room. Photo taken by Cindy Marie Jenkins...