They come, with startling regularity, on Monday and Tuesday each week. “The Grosses.” The Broadway League aggregates and releases the gross sales and attendance for every Broadway show on Monday afternoons (Tuesdays when there’s been a holiday), and a wide range of outlets dutifully report on the biggest hits, the...
funding and support
Previously in this column: The members of Bright Alchemy Theatre, a very young devised theatre company based in Washington, DC, have spent the last nine months working on its new project which began with the question: Why do we as a species feel the need to tell stories about our...
The non-profit model is living on borrowed time. The current model is dying. Even still, I think we spend more time trying to figure out how to fund a show than actually making the show. Read: The way we make money to make art is not sustainable. Insanity: Doing the...
The theatre niche of the social media stream operates much like any other Animal Farm and in this particular backwater Animal Farm I am a donkey who has lived a long time. Hang around long enough and one sees the patterns of people entering and leaving or the ebbs and flows of the...
I get a lot of questions about Kickstarter and funding commissions through this tool, and have chimed in on a number of Twitter conversations about its effectiveness. Kickstarter is a threshold giving system: for those unfamiliar with it, an artist or small organization can set up a fundraising campaign through...
I’ve been thinking lately about why, how, and by whom new plays are commissioned. I’ve been fortunate enough to have earned a few commissions myself, and it won’t surprise anyone to learn that in all of those instances, the commissions have come from theater companies. The companies in question needed...
“THE CRITICS AGREE!” Urban legend or not, this was the marquee tagline someone told me about years ago, something a theater company posted after their show received unanimously bad reviews. I like the integrity of it: not including the negative assessments on the marquee or poster, but still wanting to...
or The Woman Behind the Desk is Not Your Enemy The other day, a tweet came across my screen linking to this post about theatre economy. The thrust of the post is that we need to help playwrights be able to make a living writing plays (an important piece of...
On the Sunday morning of opening weekend (yesterday as I post this), Oregon Shakespeare Festival Executive Director Paul Nicholson and Artistic Director Bill Rauch sat down for a press conference with the critics and reporters who were in town for the 2011 opening weekend. I hear the event used to...
I’m really happy for Gwydion here. He’s found a situation that works for him as an artist, and I wouldn’t wish him anything differently. But as he points out so well, not every artist has the luxury of a cool company, doing work that so well complements their art. And...