This past weekend on NPR’s Weekend Edition, Scott Simon talked with David Marcus, a senior contributor to The Federalist and the artistic director of a theater company in New York City, about defunding the National Endowment for the Arts. Go ahead and listen. I’ll wait. And if you’re angry by...
One of my favorite things about summer in an arts organization is that you get a couple of precious weeks where, in between the planning and the subscription mailings, there’s a little fallow time where you can sometimes rise above the fray and say, HEY. What are other people doing...
Michael Kaiser published a new column on the Huffington Post yesterday that got me a bit riled up. He speaks of an organization to which he has consulted over the past year and their lack of follow-through. He makes a very good point about the rut organizations can get themselves...
When a theater is only open to the public for 15 minutes before and after a performance—and is otherwise closed and locked, with the public let in and, if necessary, kicked out—the question arises of how to make the performing arts a conversation, a participatory activity more articulated than active listening....
The theatre niche of the social media stream operates much like any other Animal Farm and in this particular backwater Animal Farm I am a donkey who has lived a long time. Hang around long enough and one sees the patterns of people entering and leaving or the ebbs and flows of the...
I’m live-blogging the first-ever Dramatists Guild conference. Please feel free to log on and either lurk or join the conversation. If there are opportunities for questions, and you submit any, I’ll try to sneak them in. I may also be tweeting from time to time if you’d rather follow along...
Previously in this column: Bright Alchemy Theatre, a very young company devoted to the creation of devised work, decides to begin work on a narrative and thematic sequel to A Cre@tion Story for Naomi, which explored the world’s creation myths. We began this new process with a question: Why do...
Please. If you are a board member, artist, or employee of a theater company, understand that most people are not visiting your website because they like you, or because they want to like you. First and foremost, they are visiting your website for information. All the glossy photos, taglines, and...
