advocacy

I saw a comment on Twitter this morning which reminded me that Alec Baldwin will be delivering the annual Nancy Hanks Lecture on Arts and Public Policy at the Kennedy Center in April. This is not breaking news; it was announced in November, although a just-issued press release has reinforced awareness...

More
  • January 5, 2012
  • 3

A few weeks ago, during the TCG Fall Forum, I saw an interesting Twitter conversation and felt compelled to wade in. Kristoffer Diaz had written: Disappointed at the lack of response to question about non-financial contributions of potential board members. #tcgff My response was that every board member should give,...

More
  • December 13, 2011
  • 3

Early in 2011 the national and international theatrical community rallied together behind the Belarus Free Theatre as they struggled to find a way to not only continue their powerful work in the theatre, but bring awareness to the truth of the situation in their country of Belarus. Human rights infringements,...

More
  • November 30, 2011

What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are...

More
  • November 18, 2011

Thanks to Travis Bedard, I don’t need to say anything about Michael Kaiser’s latest post. And if that weren’t enough, you could read more from Jeremy Barker and Isaac Butler in reaction. I will say this. The irony of complaining about citizen bloggers in a post at the Huffington Post...

More
  • November 15, 2011

I’m nobody! Who are you? Are you nobody, too? Then there’s a pair of us — don’t tell! They’d banish us, you know. How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog! ~Emily Dickinson I am Michael Kaiser’s...

More
  • November 14, 2011
  • 3

Over the weekend, @NewPlayTV streamed three interesting, presumably unrelated talks. The first was from Steppenwolf’s First Look Festival, titled How to engage 21st Century Audiences for New Plays, followed an hour later by one from the PlayFest at Orlando Shakespeare Theater on How to Make a Living as a Playwright?...

More
  • November 9, 2011
  • 6