Do you know about QLab? It’s the software you want if you’re running sound. Doesn’t matter if it’s a storefront or a stadium, a church or a theatre, this is the program for you. QLab allows you to control audio, video, and MIDI from a single workspace. If you don’t...
David J. Loehr
Are you registered to vote in this year’s election? I shouldn’t have to tell you why it’s important, especially this year and especially if you work in the arts. But whichever way you decide to vote, it’s important that you have the chance to do so. 2amt has teamed up...
Each time my theatre company has taken a show to a fringe festival, it’s been one of my own scripts–the playwright works cheap, which helps. But there’s a difference between self-producing at home and self-producing for fringe, especially if you plan to take the show to more than one festival....
Welcome to the first episode of our new podcast series, Twenty. Why Twenty? Simple. Quick, twenty minute conversations with theatre artists and professionals from around the world. Sometimes, they’ll run a little bit over, but that’s all right. First up, Nancy Kenny, performer and writer of the award-winning solo show,...
This afternoon, the New York Times ran a story by Patrick Healy about the producers of Three’s Company & their reaction to 3C, a play by David Adjmi. At issue is the question of copyright and intellectual property, fair use vs. parody and/or transformative, derivative work. Healy cites productions such...
I should be writing other things. And I hate to have two posts in a row reacting to Michael Kaiser’s posts at Huffington Post. But here we are. Instead, here are some quick reactions to Kaiser’s latest post about social media directly from Twitter. [View the story “Social Media on...
So you’re at the Humana Festival of New American Plays and you’ve got a few minutes. You’ve seen the art, you’ve looked at the gifts, you’ve had a bourbon. Maybe you’re in the mood to play a game. Maybe you’re looking for something to engage audiences at your own theatre...
As Adam Feldman pointed out this week on the Time Out New York site: “(Mike) Daisey acknowledged that he had erred in presenting his work—a hard-hitting look at the brutal Chinese labor conditions that underwrite our sleek electronic gizmos—on Ira Glass’s series because ‘the tools of theater are not the...
There are two kinds of light: the glow that illuminates and the glare that obscures. — James Thurber In the rush to parse statements and assign blame this weekend, it seems like we’re missing the point. This isn’t–or shouldn’t be–an attack on Mike Daisey’s art or his ability. What’s on...
I love Into the Woods. I love the music, I love the book, it’s one of my favorite musicals. So I’m more than a little nervous at the thought of Disney and Rob Marshall teaming up to bring it to the big screen. Yes, it’s been in development before, the...