Happiness is equilibrium. Shift your weight. — Tom Stoppard, The Real Thing Over at Arts Journal, they’re hosting a discussion & debate this week called Lead Or Follow? In their words, “Increasingly, audiences have more visibility for their opinions about the culture they consume. Cultural institutions know more and more...
Early in 2011 the national and international theatrical community rallied together behind the Belarus Free Theatre as they struggled to find a way to not only continue their powerful work in the theatre, but bring awareness to the truth of the situation in their country of Belarus. Human rights infringements,...
What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are...
a #neverbedark approach to making more art Three years ago, at Sycamore Rouge, we built six acting cubes, and it not only changed the way we rehearsed- it changed the way we opened the doors to artmaking. Like many theatres, we produce a five-show mainstage theatre season. We have a...
I haven’t been an actor in a long time. I had spent most of nearly three decades (I was a very, very young child actor…) working on one show or another before finding myself torn between those age-old female choices of nurturing myself or nurturing my offspring. Luckily, my first-born...
Thanks to Travis Bedard, I don’t need to say anything about Michael Kaiser’s latest post. And if that weren’t enough, you could read more from Jeremy Barker and Isaac Butler in reaction. I will say this. The irony of complaining about citizen bloggers in a post at the Huffington Post...
…and what it means for our future. I was a lucky audience member for the Oct 26th SDC Zelda Fichandler Award presentation at Arena Stage (which was given, this year, to Blanka Zizka of Wilma Theater). I wanted to attend, in part, because I had just joined the stage directors...
Over the weekend, @NewPlayTV streamed three interesting, presumably unrelated talks. The first was from Steppenwolf’s First Look Festival, titled How to engage 21st Century Audiences for New Plays, followed an hour later by one from the PlayFest at Orlando Shakespeare Theater on How to Make a Living as a Playwright?...