A few weeks ago, during the TCG Fall Forum, I saw an interesting Twitter conversation and felt compelled to wade in. Kristoffer Diaz had written: Disappointed at the lack of response to question about non-financial contributions of potential board members. #tcgff My response was that every board member should give,...
Once upon a time, perhaps 15 or 20 years ago, I read a really fascinating article which posited that the arts would get more coverage in the media if they opened themselves up and provided greater access to the media. It suggested that the arts were working too hard to...
What can we learn from the birth of the regional theatre movement? Which arts administrator has reached a mass-critical critical mass? Where did Verdi and Shakespeare work to support their writing habits? How many theatres are we going to have to occupy? Why do we call it play? These are...
Thanks to Travis Bedard, I don’t need to say anything about Michael Kaiser’s latest post. And if that weren’t enough, you could read more from Jeremy Barker and Isaac Butler in reaction. I will say this. The irony of complaining about citizen bloggers in a post at the Huffington Post...
…and what it means for our future. I was a lucky audience member for the Oct 26th SDC Zelda Fichandler Award presentation at Arena Stage (which was given, this year, to Blanka Zizka of Wilma Theater). I wanted to attend, in part, because I had just joined the stage directors...
Over the weekend, @NewPlayTV streamed three interesting, presumably unrelated talks. The first was from Steppenwolf’s First Look Festival, titled How to engage 21st Century Audiences for New Plays, followed an hour later by one from the PlayFest at Orlando Shakespeare Theater on How to Make a Living as a Playwright?...
Over the past 48 hours, the culture pages in England have been filled with reports which are all variants of the same story: “Walkouts abound at The Royal Shakespeare Company’s Marat/Sade.” I first spotted this on Sunday in The Daily Mail and since then, the BBC, The Guardian and The...
They come, with startling regularity, on Monday and Tuesday each week. “The Grosses.” The Broadway League aggregates and releases the gross sales and attendance for every Broadway show on Monday afternoons (Tuesdays when there’s been a holiday), and a wide range of outlets dutifully report on the biggest hits, the...
Tweets, blogs and other manners of Internet posting have been aflame since this morning, when Charles Isherwood of The New York Times declared online that he wished to forego having to review any further plays by Adam Rapp. In the ensuing hours, Isherwood has been chastised for the tone of...
It’s always nice to be on the same page as Polly Carl. If you haven’t read her latest HowlRound post, A Theater of YES!, go check it out. One reason I appreciate her train of thought is because it dovetails with my TEDxMichiganAve talk from this past May: [youtube width=”560″...