O the ill-lit, often lonely corners of the Internet where theater-company blogs reside! O the carefully eked-out production notes and interviews and dramaturgy, still photos and videos and audio conversations—sometimes engaging, sometimes profound, sometimes beautiful—that end for eternity with Comments (0)! Unless a relative, friend, or fellow company member sees it, in...
presenting
Or more precisely, just listen, as this is just the audio from Michael Kaiser’s appearance at Portland Center Stage last week. Whether you agree or disagree with his advice and observations, it’s worth a listen. Some of his advice applies more towards the large, institutional theatres and, in many ways,...
In today’s Washington Post, Peter Marks imagines a new hope for theatre with a touch of audacity. (Go ahead and read it. We’ll wait.) The short version is, he considers a world in which the White House could support more live theatre–dramatic work in particular–perhaps coordinated by Rocco Landesman and...
I’m sure they’re clean. I’m sure you’re a good host. I’m sure they’re stocked with ample and appropriate paper products for your anticipated audience, and that the plumbing works. Is that it? A few weeks ago, I wrote how theater lobbies are often functional, neutral spaces—closer in design and function...
Not just any bookstore, but specifically this bookstore: Montague Bookmill in Montague, Massachusetts. Seth Godin sums it up well when he stated: This is the bookstore of the future, because it’s not a business trying to maximize growth and ROI. No, it’s a place, an attitude, an approach to an...
I have talked time and again over at the Cambiare Productions blog about relationships and trust metrics and “street cred” and…. yes I’m as surprised as you are that anyone reads… but I’m going to restate it here because it needs restating. Ask a theatre artist what they don’t have,...
Full disclosure. I am by trade a playwright. I may be an artist-in-residence, producer, sound designer, graphic designer, voiceover artist and marketing department for my own theatre company, which, yes, I co-founded. Those are things I do and can do. But I identify myself as a writer. With that in...
How do we devise work? And how best can we support that work, these artists? Rather, how can we provide a sustainable model for these companies for funding, presenting, travelling? We’re talking about groups like Universes, the Rude Mechanicals, SITI Company, the Civilians, Taffety Punk and more. Their process is...