development

Or more precisely, just listen, as this is just the audio from Michael Kaiser’s appearance at Portland Center Stage last week. Whether you agree or disagree with his advice and observations, it’s worth a listen. Some of his advice applies more towards the large, institutional theatres and, in many ways,...

More
  • May 17, 2010

Not just any bookstore, but specifically this bookstore: Montague Bookmill in Montague, Massachusetts. Seth Godin sums it up well when he stated: This is the bookstore of the future, because it’s not a business trying to maximize growth and ROI. No, it’s a place, an attitude, an approach to an...

More
  • April 11, 2010
  • 7

I have talked time and again over at the Cambiare Productions blog about relationships and trust metrics and “street cred” and…. yes I’m as surprised as you are that anyone reads… but I’m going to restate it here because it needs restating. Ask a theatre artist what they don’t have,...

More
  • March 17, 2010
  • 1

Full disclosure. I am by trade a playwright. I may be an artist-in-residence, producer, sound designer, graphic designer, voiceover artist and marketing department for my own theatre company, which, yes, I co-founded. Those are things I do and can do. But I identify myself as a writer. With that in...

More
  • March 16, 2010
  • 14

How do we devise work? And how best can we support that work, these artists? Rather, how can we provide a sustainable model for these companies for funding, presenting, travelling? We’re talking about groups like Universes, the Rude Mechanicals, SITI Company, the Civilians, Taffety Punk and more. Their process is...

More
  • February 20, 2010

Isaac Butler at Parabasis asks how we should define “new play”. In the face of how the phrase has been treated in recent years, and rung like a gong again and again in Outrageous Fortune, and with it being the focus of the Arena Stage convenings it seems fair to...

More
  • February 8, 2010
  • 7