audiences

A while back on #2amt, an extremely provocative gauntlet was thrown, on the OH so touchy subject of money. Filthy lucre. We can’t live without it. Most of us got into the theater profession to avoid having to think about it too much. Yet as some point we all are...

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  • March 25, 2010
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One of the recent #newplay conversations focused on the questions of how we can create more diversity, both in our content, our playwright relationships, and in our audience. Much of that conversation focused on the idea of “accessibility,” i.e. how we are not making theater “accessible” to minority groups through...

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  • March 17, 2010
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Full disclosure. I am by trade a playwright. I may be an artist-in-residence, producer, sound designer, graphic designer, voiceover artist and marketing department for my own theatre company, which, yes, I co-founded. Those are things I do and can do. But I identify myself as a writer. With that in...

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  • March 16, 2010
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And now, a post about theaters of different sizes and how their intermissions help make audiences feel more comfortable. 1). When I was at Steppenwolf for American Buffalo, I noticed that audience members were able to order their drinks before the show and have them ready at intermission. This made...

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  • March 12, 2010
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Concerts.  Big concerts—arena size.  I often hear and read how potential audiences, if they’re not going to theater, are going to arena-size, celebrity-driven concerts.  And if they’re not at a big concert, they’re at home watching American Idol or Lost.  None of this is true. Sure, every week tens of millions are streaming Netflix,...

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  • March 11, 2010
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