A roundup of articles about the current and recent productions of The Mikado and the controversy surrounding them. Leah Nanako Winkler from Sept 2015: The Mikado in Yellowface is Coming to the Skirball Center of the Performing Arts and We Should Talk About It Howard Sherman from Sept 2015: Putting...
Why the Mikado is a No-No, and Other Painfully Obvious Realities About Race Representation in the Theatre Nearly 4 years ago, as a fresh face on New York’s scene, I attended the inaugural Asian American Performer’s Action Coalition (AAPAC) meeting held at Fordham University. A multicultural caucus of over five...
I have long had an interest in arts groups using transitioning commercial and retail spaces to alleviate space crunch. On hearing that Matt Cosper and his Charlotte-based ensemble XOXO are taking part in such a venture I asked him to write a little about the process and after it was...
We are not doing a great job of teaching our actors to care for their instruments properly. This is clear to me when I read (regularly) about an actor in a particularly difficult physical role answering questions with an attitude of “of course my back hurts every day,” “I have...
I have long had an interest in arts groups using transitioning commercial and retail spaces to alleviate space crunch. On hearing that Matt Cosper and his Charlotte-based ensemble XOXO are taking part in such a venture I asked him to write a little about the process and after it was...
There is a mental habit formed early in the development of the modern American psyche: the immediate and perpetual recentering of yourself as the underdog. Our prevailing American narrative is one of rising above great (or more usually impossible) odds to achieve our heart’s one true desire. In the narrative the underdog...
Let’s see if I have this straight. Women write about bias–unconscious or not–in an industry, they set up a group to support fellow women in said industry, men immediately comment on social media about how this isn’t really a problem, maybe these women are biased, because it damn well isn’t...
Earlier this month, the Shakespeare Theatre Association (STA) held its 25th annual conference, hosted by the gracious staff at San Francisco Shakespeare Festival; the event was comprised of both a practicum component as well as a more traditional conference, filled with panels, plenaries and keynotes. A Kind of History Sidney Berger, then...
The 2014-15 theatre season is underway, causing me, desperately, to try not to fret over photos of strangers in first table reads as they begin to train their instruments to say those words (repetitively) throughout the rehearsal process and within eight shows a week (plus student matinees). I see actors...